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Art Direction

EAGERLY ANTICIPATING: DOUBLE 26 : THE ACADEMIA ISSUE

The spontaneity and graphic ease of those Double covers: a new young cool  personified.The spontaneity and graphic ease of those Double covers: a new young cool personified.

Remember when Fabien Baron imported Young London (Sims, Moss, McDean etc) wholesale into the pages of Harper's Bazaar in the 90's

U+MAG'S MAXIMUM DISRUPTION

Photographed by Cassia Tabatini . Styling by Dudu Bertholini. Beauty by Lau NevesPhotographed by Cassia Tabatini . Styling by Dudu Bertholini. Beauty by Lau Neves

If I were a big brand or a power conglomerate looking to infuse a sense of unusual currency into the visual dialogue of contemporary art direction, I would fly the U+ Mag team in from Sao Paulo and set them up to wreak beautiful havoc.

REFERENCE LIBRARY: THE ENDURING IMAGERY OF PATTI SMITH

LOVE the use of Patti Smith's signature as a font heading to this 1973 article. Depositing this into the image bank.LOVE the use of Patti Smith's signature as a font heading to this 1973 article. Depositing this into the image bank.

“I had a little black dress on and looked like Piaf. In Paris, everyone’s a poseur.

TI IS MAD FOR: BOURGEOIS ULTRA

Bourgeois Ultra Condensed Designed by Jonathan Barnbrook and Marcus McCallion in 2005Bourgeois Ultra Condensed Designed by Jonathan Barnbrook and Marcus McCallion in 2005

Yes I'm a font freak.

EAGERLY ANTICIPATING: DAVID BOWIE'S The Next Day

'The song Where are we now? is a comparison between Berlin when the wall fell and Berlin today''The song Where are we now? is a comparison between Berlin when the wall fell and Berlin today'

Jonathan Barnbrook on the rationale behind 'The Next Day's' artwork,

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Taste is a dictatorship.

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