In 2001, the then chief curator of the Louvre, Régis Michel, organized an exhibition called "Posséder et Detruire: Strategies Sexuelles dans l'art d'Occident", (Possess and Destroy,: Sexual Strategies In Western Art,)
Submitted by Wayne on Fri, 2014-11-21 16:50.
Submitted by Wayne on Tue, 2014-11-04 00:47.
Submitted by Wayne on Mon, 2014-10-20 22:10.
Pierre Klossowski, the lapsed Catholic intellectual with a Polish aristocratic title (his brother being the notorious Balthus), a childhood education in Germany, and a legacy of philosophical treatises on Nietzche and Sade, has never been the most lucid of writers. In fact he never even tried that particular trick. Klossowski studied Latin so extensively, it corrupted his French, leading him to a lifetime love of archaic words and long, multi-part sentences with some pretty extended sub-clauses. Yet his influence was such that not only did intellectual giants such as Foucault declare themselves fans, Klossowski's system of thought and of writing was an explicit influence on works like Foucault's own "History Of Sexuality".
Submitted by Wayne on Thu, 2014-10-02 05:40.
Submitted by Wayne on Fri, 2014-09-26 07:07.
À l’occasion de l’exposition « Yves Saint Laurent et le Maroc », présentée pour la première fois au jardin Majorelle à Marrakech, Pierre Bergé se souvient. Il tire les fils du passé et accompagne ses propos de photographies, dont beaucoup sont inédites, de dessins et d’aquarelles de Lawrence Mynott.
Submitted by Wayne on Wed, 2014-09-17 16:03.
Submitted by Wayne on Fri, 2014-09-12 06:15.
The irony of this book is its author would probably hate if it were to seen as his signature work. Lyotard once indicted Libidinal Economy as an 'evil book, the book of evilness that everyone writing and thinking is tempted to do'. This evil book comes back to mind whenever I'm forced to confront…let's call them cultural values in exchange. Let me give an example. I made an acquaintance in Paris, with a very erudite man who runs one of those esteemed cultural institutions that fashion people accidentally haunt for purposes of a defilé without realizing the nature of the real business that goes on in this landmark cultural space. The conversations between us were never actually very intellectual but were vaguely sexual, as we shared a lover. As in he was the ex, I am the current. Or so we all assume, in an arrangement that is apparently a very French way of conducting one's emotional business. He wasn't threatened by me as he is apparently quite wealthy and I wasn't threatened by him since I was the much better…dancer. One day we were all having dinner at a restaurant in the high bourgeoise section of the Marais, (which I prefer to call by its English name, "The Swamp". ) As usual the waiter handed him the check, though dinner was on me and I joked, "We can never escape the libidinal economy can we?" . He laughed and then I thought, who would have thought that one of the most unreadable of Jean François Lyotard's early works could have proved so useful .
Submitted by Wayne on Tue, 2014-08-26 20:30.
CURRENT READING: Le studio d'Yves Saint Laurent - Miroir et Secrets : Texte de Jéromine Savignon : éditions Actes SudSubmitted by Wayne on Thu, 2014-08-21 13:59.
Submitted by Wayne on Sat, 2014-08-16 05:41.
Deleuze shortly before his death - he committed suicide by throwing himself from his flat in Paris - recorded one of the Arte Channel's most fascinating philosophical programmes, Abecedaire ("Alphabet"), in which he introduced a subject starting with a letter of the alphabet. "A" was for "animal", "G" for "gauche" (left-wing), and B was for "boisson" (drink). The "S" for "suicide" has yet to be broadcast.