The way Tokyo style god, Shunsuke Okabe wears
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Masha Vasyukova is a young filmmaker who shuttles between Paris, where she is based, and London and New York where she finds constant inspiration. I first noticed the video work she did for Iris Van Herpen's FW 14 presentation which led me to Masha's beautifully prismic collaborations with Craig McDean. Masha's passionate yet nuanced image-making stayed in my memory bank for the past year, which is why it was such a pleasure to engage her in the following conversation.
Current Viewing : MARTIN GUTIERREZ, CAN SHE HEAR YOU :RYAN LEE : April 9 - May 9, 2015 Opening: Thursday, April 9, 2015, 6-8PMSubmitted by Wayne on Fri, 2015-04-03 20:11.
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Shout out to #TheImage massive
Current Listening: Loud Places : Jamie XX (Featuring Romy) : From the forthcoming LP, In Colour: Young Turks :Submitted by Wayne on Wed, 2015-04-01 23:11.
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Interesting rediscovery via http://www.lightindustry.org !
In the mid 1960s, Edward Owens was an African-American teenager attending the Art Institute of Chicago when Gregory Markopoulos arrived to found the school’s film program. Owens, who was then studying painting and sculpture, had already been making 8mm movies for a few years; impressed by the maturity of his work, Markopoulos encouraged him to move to New York. Owens arrived in Manhattan in 1966 with Markopoulos, who quickly ushered him into the world of the city’s cultured demimonde, introducing him to figures like Andy Warhol, Gerard Malanga, Marie Menken, Gregory Battcock, and filmmaker-poet Charles Boultenhouse. Soon, Owens became romantically involved with Boultenhouse, and moved into the West Village apartment where Boultenhouse already lived with his lover of many decades, the legendary critic Parker Tyler, who accepted the arrangement.