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TI IS MAD FOR: AVAF X TOM OF FINLAND FOUNDATION for PRINT ALL OVER ME

Photo: Michael Burk / Model: Adam Killian / Courtesy Print All Over Me.Photo: Michael Burk / Model: Adam Killian / Courtesy Print All Over Me.

It's the kick off of the Frieze Art Fair in NY and one of the associated endeavors that caught TI's eyes is

Cheryl Donegan: “EXTRA LAYER” : Fashion Show, produced in cooperation with Print All Over Me: 04: 07:16

Cover Image: Cheryl Donegan, “EXTRA LAYER,” 2015. Production image. Courtesy the artist.Cover Image: Cheryl Donegan, “EXTRA LAYER,” 2015. Production image. Courtesy the artist.

As the culmination of Cheryl Donegan’s four-month residency and exhibition at the New Museum, presented through the Department of Education and Public Engagement’s R&D Season: LEGACY, the artist will

CURRENT VIEWING: DREAMING MIRRORS DREAMING SCREENS : SPRÜTH MAGERS BERLIN : Until APRIL 02 2016

"Is this the place, they make you real?"  Quote from: A-I (2001), directed by Steven Spielberg."Is this the place, they make you real?" Quote from: A-I (2001), directed by Steven Spielberg.

"The story of evolution unfolds with increasing levels of abstraction."
Raymond Kurzweil: How to Create a Mind (2012)

Current Viewing: Roe Ethridge : Shelter Island FOAM (Amsterdam) : 8 April – 5 June 2016

Kite in the Water, 2015 © Roe Ethridge / Courtesy of the artist and Gladstone Gallery, New York and BrusselsKite in the Water, 2015 © Roe Ethridge / Courtesy of the artist and Gladstone Gallery, New York and Brussels

Foam presents Shelter Island, the newest work of Roe Ethridge (1969, US). At the eastern end of Long Island, New York, the photographer turned to his family and the characteristically American ‘Kit House’ they rented for the summer of 2015. There he became fascinated by a range of stored away possessions from the homeowners and their children.

Employing an array of classic photographic genres – from portraiture to still life to landscape – Ethridge captures his subjects and surrounding environment in intimate detail. The artist combines the glossy effect of commercial photography with the sensitivity of fine art photography. The outcome is a body of work that is both familiar and uncanny, and nostalgic as well as contemporary.

Current Viewing: ALEX ISRAEL / BRET EASTON ELLIS : GAGOSIAN (LA ) : Until APRIL 23, 2016

The works were fabricated at Warner Brothers by the  crews formerly responsible for hand-painting Hollywood film backdrops.The works were fabricated at Warner Brothers by the crews formerly responsible for hand-painting Hollywood film backdrops.

The city of Los Angeles is both background and subject in the respective oeuvres of Israel and

Current Viewing: Matt Mullican : The Meaning of Things : Projecte SD, (Barcelona) Until November 14, 2015

The post-semiotic fringe still in currency.The post-semiotic fringe still in currency.

The systematization, structure and order of Matt Mullican's personal vision of the world, ranges from the personal to the universal, and are central themes in his production. His works do not function as isolated pieces; his understanding is based on the relationships established between them, within his whole body of work. Relationships established through language and signs, through repetition, rhythm and association. All his works form a continuous semantic unit.

Since the late 70s, the performances made under hypnosis have played a key role in his work. They have been the basis for, as the artist himself has stated repeatedly “enter the picture” see the world or an “image” of it, exploring the border between fiction and reality, a way of stating the relationship between the subjective and the objective and an essential tool for the development of all its production.
For his fourth exhibition in ProjecteSD, Mullican presents his new work The Meaning of Things, an installation of more than 600 collages on paper that the artist has developed over the last five years.
Through a file of digital images of movies, video games, sports and multiple situations of violence, sex and empathy that the artist has been gathering in an intuitive and automatic way, he builds a repertoire where his encyclopedic, visual and graphic universe unfolds inexhaustibly.

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Taste is a dictatorship.

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