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Current Viewing: Greer Lankton: Love Me: Participant Inc: (NYC) : Until Dec 21st 2014:

A minor scandal erupted over the nude photo of Greer that graced  Mattress Factory's 1996 exhibition  poster.A minor scandal erupted over the nude photo of Greer that graced Mattress Factory's 1996 exhibition poster.

PARTICIPANT INC is honored to present Greer Lankton, LOVE ME, an exhibition organized in cooperation with the Greer Lankton Archives Museum (G.L.A.M.). This is the first major New York solo exhibition of Lankton (1958-1996) since her death. Representing the scope of Lankton’s work with nearly 100 of Lankton’s dolls, photographs, and works on paper, LOVE ME is structured by a selection of photographs by friends and peers including Nan Goldin, Timothy Greenfield- Sanders, Peter Hujar, Eric Kroll, Zoe Leonard, Paul Monroe, Daryl-Ann Saunders, Kate Simon, and Geoff Spear; films by Joyce Randall Senechal and Nick Zedd; as well as ephemeral material.

Current Viewing: Shirana Shahbazi at Kunsthalle Bern

As the artist remarks, botanical photography is as ubiquitous of a practice as taking holiday pictures.As the artist remarks, botanical photography is as ubiquitous of a practice as taking holiday pictures.

Fon Vodun object, Benin (34 x 6.5 x 9.5 cm) wood, rope, sacrificial patina : COLLECTION ANNE AND JACQUES KERCHACHE :PH: Yuji On

These statuettes,  as well as their components function as a grammar.These statuettes, as well as their components function as a grammar.

Pierced or pegged bocio secure the spoken word, and have the power of activating or deactivating speech.

TI PREVIEW: MODERN MATTER: ISSUE #7: POSTMODERN

Cover star Sarah Lucas, Great Britain's representative at the 2015 Venice Biennnale selects from her early 90's archive for MM#7Cover star Sarah Lucas, Great Britain's representative at the 2015 Venice Biennnale selects from her early 90's archive for MM#7

Modern Matter describes itself as a "forum for truly bespoke art content that collaborates with artists in real and varied ways eschewing static photoshoots and Q&A interviews" and within that mission statement is a whole world of inspiration. Visually, the magazine aims to treat the presentation of the arts as an art-form in and of itself, through an experimental approach to design and non-linear values in the field of editorial content.

Current Reading: Posséder et Detruire: Strategies Sexuelles dans l'art d'Occident

C'est-à-dire que, comme dans tout peep-show, on ne voit rien.C'est-à-dire que, comme dans tout peep-show, on ne voit rien.

In 2001, the then chief curator of the Louvre, Régis Michel, organized an exhibition called "Posséder et Detruire: Strategies Sexuelles dans l'art d'Occident", (Possess and Destroy,: Sexual Strategies In Western Art,)

TI DATE: NADA 2014 + ART BASEL MIAMI BEACH: DEC 4-7th

An art fair  that vigorously pursues the goal of exploring new or underexposed art.An art fair that vigorously pursues the goal of exploring new or underexposed art.

NADA’s fair is held in parallel with Art Basel Miami Beach and is recognized as a much needed alternative assembly of the world’s youngest and strongest art galleries dealing with emerging Contemporary Art. It is the only major American art fair to be run by a non-profit organization.

TI PREVIEW: DOUBLE MAGAZINE #28 : PART TWO

From the forthcoming DOUBLE MAGAZINE #28.From the forthcoming DOUBLE MAGAZINE #28.

And now we dive into the well of the audacious new Double, complete with contributions by Jamie Hawkesworth, Marie Chaix, Heji Shin, Jodie Barnes and Camille Bidault Waddington. The taste point displayed is immaculate!

CRUSHfanzine and Marianne Boesky Gallery Presents "Something Beautiful" : Curated by CRUSHfanzine: Until Dec 20th (NYC)

Between youth and maturity, between the ideal and the true.Between youth and maturity, between the ideal and the true.

Marianne Boesky Gallery is pleased to present Something Beautiful, a group show curated by Nicolas Wagner and Khary Simon of CRUSHfanzine. This exhibition uses the lens of contemporary photographic portraiture to examine the ideals of youth as a product of memory and the wisdom of hindsight. Like a daydream, the works on view propose the fleeting sensuality of a fantasy, coupled with the sense of loss that comes from a jolt back to reality—a juxtaposition analogous to the journey from childhood to adulthood.

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