Polaroid by Jayson Keeling

Inspired by the termination of the production of mass market Polaroid film, >Oh Snap< is a one day art show of queer Polaroids curated by Spank zine at Envoy Enterprises Tuesday August 18th.

Jacoby Slatterwhite PH; Jayson Keeling

I am delirious over this image shot by Jayson Keeling of one of my favorite emerging artists-Jacoby Slatterwhite.

I asked for "black opulence" and it came back as that and so much more!

I'm currently working on what might be best described as my "summer project". I'm calling all my friends who are artists and canvassing for everything that is ...new,

One Ford model/photog, a style.com photographer and one vivid girl-on-the scene at The Alex Daniel

Don't ask me any questions,
My personal life is a bore,
Admire me in glory,
An Art Groupie. That's all.

Grace Jones: "Art Groupie"

From the blinding fabulousness of the Art Stars below to the burgeoning vision of the emerging artist above

l love New York. I hate New York.

KALUP LINZY: Still from "KEYS TO OUR HEARTS"

As Three As Four As one

assume vivid astro focus had a banging kick off for their new exhibit " Absolutely Venomous Accurately Fallacious (Naturally Delicious)" at Deitch Studios Long Island City and artist Jayson Keeling was there to cover the ...err "vivid" proceedings. Here's his eyewitness report:

"Kate, Giselle, Natalia, Agyness, Simon, Kanye and George": PH: Jayson Keeling

Artist and TI contributer has been proselyting for Katherine Bernhardt for a good year and a half now. And with good cause! Here are his exclsuive snaps and his personal evaluation of Katherine's latest show at Canada Gallery.

Excerpt from a work by Hadassa Goldvicht

TED RIEDERER: HELLAS: Goff+Rosenthal

Back in America and thanks to my pal , artist Jayson Keeling I've found a great new American artist to process. Ted Riederer staged a show at the Goff+Rosenthal Gallery in Berlin earlier this year that sparked up a lot of buzz. Titled "Hellas" the show combined two installations. The first feautured a suit of body armor molded from vinyl punk rock records posed in opposition to a pile of skulls molded from records off the 1986 Billlboard Top 200 Chart. The second installation was projected video of Riederer's band "The Ressurectionists" smashing their instruments at a performance. That video was the background to a forground staging of a destroyed drum kit reconstructed in the confines of the gallery. I love the mix of pop colors, comic book antics, music culture and stability of execution on the part of the artist. Its easy to lump Riederer into that group of artists like Adam Helm, Kendell Geers and Banks Violette but I think the accessibility as well as the control of the ideas presented here makes him very unique and quite stand alone.