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Harper's Bazaar

DRENCHED IN COMMES DES GARCONS

CDG parfums are TRUE luxury

The restless modernists of the 20's had the blunt industrial lines of Chanel No 5 to consecrate their age, my age has Commes Des Garcons parfums to summarize our times .CDG parfums are TRUE luxury The 90's was in many ways the apotheosis of the celebration of all things "industrial" within the confines of fashion. Remember those floor length slip dresses in griege, the covers of Harper's Bazaar lit with flourescent tubing and of course the rapid adoption of Commes des Garcons' "concrete bunker" retail aesthetic into the general store design vocabulary.That moment in fashion will always be summarized in my mind by the cold electric smell of 1993's Odeur 53, the No 5 of my 90's generation (sorry CK 1. Your love was short-lived).

THE REALness of Rachel Clark

Rachel Clark: Supreme is super-glam for Louis Vuitton Cruise FW 07Rachel Clark: Supreme is super-glam for Louis Vuitton Cruise FW 07

My God! It's almost a year since I first met Rachel Clark and look how much she's grown! Last June I Q+A'd Ms Clark for my Spur/Japan magazine model column after hearing she was on set for Louis Vuitton Cruise FW07 with M+M and Ms Grand. I love me some Rachel Clark because she is the realest model I know right this minute. Here's the abridged transcript that's the proof:

Rachel Clark first surfaced on our model-watching radar while we were visiting Miami in December 2006. Her local booker dragged the unwilling 18 year old out for an impromptu meet and greet. "She's going to be huge!" he boasted and scanning Rachel quickly you could see that all the raw materials were there...the long clean body line good for runway and the angular, beautiful face that could be painted into anything you want it to be.

But there was a hitch. It was obvious that Rachel hated the entire proposition of fashion. In her tank-top, cut-off shorts and flip-flops she was so heedless to high fashion that it seemed unlikely she would catch on in a world where personal style was a dividing mark between working and non-working models. With her nonchalant stroll, her lazy way with a cigarette and her haste to run off to play video games with her beach pals, she seemed more like an escapee from a late period Larry Clark film (think "Bully" ) than a budding super-model

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