TI considers CRUSHfanzine to be part of the family, given the very good work executed all the way back in that Charlotte Rampling issue ( No. 4 ).
Submitted by Wayne on Thu, 2014-03-27 23:04.
Submitted by Wayne on Fri, 2014-03-21 23:03.
Submitted by Wayne on Mon, 2014-03-17 16:45.
Submitted by Wayne on Thu, 2014-03-13 18:33.
With the staging of a massive Matthew Marks retrospective that spawls across the galleries at 502, 522, and 526 West 22nd Street, Michel Majerus' post-pop legacy is at maximum impact this season. After the Kunstmuseum Stuggart exhibition in 2012, an American institution was bound to pick up the mantle of Majerus' appropriation driven work. Matthew Marks certainly has not stinted on their platforming of the Berlin-based artist, whose promising career was cut short by a plane crash at age 35
Submitted by Wayne on Sat, 2014-03-08 20:05.
“DISown – Not For Everyone,” is an art exhibition posing as a retail store. Or maybe it’s the other way around. As Karl Lagerfeld for H&M is a diffusion line for fashion, DISown is a diffusion line for art. Set as an examination of taste and consumerism, DISown presents a new model for cultural critique. Presenting products from over 30 world-renowned artists including Ryan Trecartin, Jon Rafman, Bjarne Melgaard, Amalia Ulman, Telfar and Hood By Air (HBA), DISown will be featured in a retail installation by artist Lizzie Fitch. Art collective DIS and curator Agatha Wara present the month long exhibition, starting March 6th at Red Bull Studio New York.
Submitted by Wayne on Fri, 2014-03-07 19:00.
This show features a series of large-scale bronze and cast-concrete sculptures displayed variously on pedestals, and, at other times, installed directly on the floor. Characteristic of Lucas’s practice, the works simultaneously suggest multiple forms, as with the two monumental bronze works Florian and Kevin, which appear as both oversized vegetables and phallic-shaped sculptures. By confronting viewers with objects that are at once familiar and disorienting, Lucas proposes a reading of her work that seeks to subtly subvert socially constructed norms.
Submitted by Wayne on Thu, 2014-03-06 14:34.
Submitted by Wayne on Wed, 2014-03-05 23:32.
Submitted by Wayne on Tue, 2014-02-25 15:21.
Submitted by Wayne on Tue, 2014-02-25 14:34.