Van day Truex

China patterns commissoned by Truex for Tiffany's

Portrait of Senora Eugenia Huici de Errazuriz by Jacques Emile Blanche 1890

In the history of taste and style, where does one era end and another begin? Can you find a sharp dividing line, as sharp as a crease on a map? In tracing the fascinating shift in taste from the fin de siecle Belle Epoque of the late nineteenth /very early 20th century to the stripped down modernism that is still today's rule of thumb, a very interesting woman keeps coming up. No, not Coco Chanel though her role as one of the mothers of modernism is quite clear. The woman in question is a certain Eugenia Errazuriz, a Chilean heiress whose father made a serious fortune in silver mining. There is an amazing chapter on her in art critic John Richardson's "Sacred Monsters, Sacred Masters (which I read like the bible nearly every night). He describes Errazuriz as "a girl of considerable beauty, Eugenia was brought up in the archaic conventions of Spanish colonialism" .

Eugenia was painted by John Singer Sargent as well as Boldini, Helleu and Orpen. As a kind of patron of the avant-garde, she became one of Picasso's greatest collectors. Her interests though also included the newer strains in literature (Cocteau), music (Stravinsky) and ballet (Diaghlev).