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Breakthrough Show: “Postcodes” at Coletor (Sao Paulo)

Postcodes seeks to question how dominant patterns of codification are being transformed today.Postcodes seeks to question how dominant patterns of codification are being transformed today.

All the cool young curators like Tim Goessens tell us that Sao Paulo's art scene is throbbing hot. Here's proof plenty in the form of a remarkably well thought out show that destabilized the idea of geographic codification as well as introducing the culturally rich idea of nodal/global inter-action. I've always loved the transculturalism of the new generation of Brazilian design innovators like the U-Mag contingent. This show codified the implications of the work of this brave new post-Deleuzian generation

Current Reading: YVES SAINT LAURENT : UNE PASSION MAROCAINE : Pierre Bergé

Yves Saint Laurent had always claimed that Morocco influenced his creations.Yves Saint Laurent had always claimed that Morocco influenced his creations.

À l’occasion de l’exposition « Yves Saint Laurent et le Maroc », présentée pour la première fois au jardin Majorelle à Marrakech, Pierre Bergé se souvient. Il tire les fils du passé et accompagne ses propos de photographies, dont beaucoup sont inédites, de dessins et d’aquarelles de Lawrence Mynott.

TI DATE: ANNELISE MICHELSON: PRÉSENTATION PRINTEMPS-ÉTÉ 2015

ANNELISE’S PIECES ARE ALL HAND MADE OUT OF 100% FRENCH MATERIALS, IN LIMITED QUANTITIES IN HER ATELIER IN THE MARAIS IN PARIS.ANNELISE’S PIECES ARE ALL HAND MADE OUT OF 100% FRENCH MATERIALS, IN LIMITED QUANTITIES IN HER ATELIER IN THE MARAIS IN PARIS.

'I don't want to make women look pretty and harmless. Women are sexy, desirable and complex. I want to give them weapons'
Annelise Michelson

You've spotted Annelise's exquisitely wrought work featured in Vogue, Vogue Paris,The Cut, W, The NY Times and style.com, which is why Michelson's Spring line is an essential see during this Paris Fashion Week. As you well know a woman in her jewelry is an impeccable force.

PoemField No. 2 (1966) : Stan VanDerBeek

Each film was constructed using Knowlton's BEFLIX computer language, which was based on FORTRAN.Each film was constructed using Knowlton's BEFLIX computer language, which was based on FORTRAN.

From 1964 through around 1969, artist Stan VanDerBeek worked with computer scientist Ken Knowlton on a series of films:

THE BEAUTY INDEX

This digital generation tho. #nonstopbeautyThis digital generation tho. #nonstopbeauty

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Eagerly Anticipating: IAN SCHRAGER 'S 215 CHRYSTIE PROJECT IN NEW YORK CITY : DESIGNED BY HERZOG & DE MEURON

In John Pawson’s custom-designed interiors, each apartment opens up to the surrounding city.In John Pawson’s custom-designed interiors, each apartment opens up to the surrounding city.

“This is a truly international collaboration, bringing together leading architects and designers from around the world to create a building and residences for the next generation--a revolutionary new genre of urban living.”

Ian Schrager.

Generation Dis For The Win!

British artist  Kate Cooper, creates digital avatars  that confront " hyper-capitalism" Image via dismagazine.comBritish artist Kate Cooper, creates digital avatars that confront " hyper-capitalism" Image via dismagazine.com

The New York–based collective DIS has been named the curatorial team of the ninth Berlin Biennale.

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Taste is a dictatorship.

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