All the cool young curators like Tim Goessens tell us that Sao Paulo's art scene is throbbing hot. Here's proof plenty in the form of a remarkably well thought out show that destabilized the idea of geographic codification as well as introducing the culturally rich idea of nodal/global inter-action. I've always loved the transculturalism of the new generation of Brazilian design innovators like the U-Mag contingent. This show codified the implications of the work of this brave new post-Deleuzian generation
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À l’occasion de l’exposition « Yves Saint Laurent et le Maroc », présentée pour la première fois au jardin Majorelle à Marrakech, Pierre Bergé se souvient. Il tire les fils du passé et accompagne ses propos de photographies, dont beaucoup sont inédites, de dessins et d’aquarelles de Lawrence Mynott.
Submitted by Wayne on Fri, 2014-09-26 04:29.
'I don't want to make women look pretty and harmless. Women are sexy, desirable and complex. I want to give them weapons'
You've spotted Annelise's exquisitely wrought work featured in Vogue, Vogue Paris,The Cut, W, The NY Times and style.com, which is why Michelson's Spring line is an essential see during this Paris Fashion Week. As you well know a woman in her jewelry is an impeccable force.
Submitted by Wayne on Thu, 2014-09-25 17:53.
Eagerly Anticipating: IAN SCHRAGER 'S 215 CHRYSTIE PROJECT IN NEW YORK CITY : DESIGNED BY HERZOG & DE MEURONSubmitted by Wayne on Wed, 2014-09-24 21:12.
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